展览预告 |《物我》写生油画联展

主办单位:艺术空间 

Organizer:Art Bridge Gallery
 
协办单位:扶春文化艺术中心
Co-Organizer:Fu Chun Cultural And Art Center
 
开幕时间:2020年5月1日
Opening:May 1.2020
 
展览地点:北京朝阳区酒仙桥路4号798艺术区D09-1
Address:  D09-1 No.4,798Art zone Jiuxianqiao Road,Chaoyang District,Beijing,China
 
媒体支持:艺术中国 在艺 雅昌艺术网 青桐创媒 艺厘
Media:art.china.cn / zaiart / artron.net / platan creative media / artcm
 
前 言 | Foreword
 
 —— 一辰 | Yi Chen
 
油画,是视觉审美的艺术。将体现欧洲文化精神的油画艺术引进中国,至今已有百余年发展历程。
 
法国19世纪伟大的现实主义绘画大师柯罗,崇尚自然规律,提倡大自然先于一切,柯罗有句铭言“既诚恳,又自信!”——要像个孩子一样,不带任何成见地去观察大自然,表现大自然。油画写生是理解和掌握色彩最有效的途径,所以写生与色彩的关系十分密切。写生它是面对自然的描绘,自然本身色彩丰富,因光线、天气、时间的不同,因而产生其微妙的变化。所以在写生过程中,要不停的修改,达到调和、对比和呼应空间、结构、色彩、明暗等关系,从而达到和谐美。写生虽然是要面对自然的绘画,但它不只是为了使自然而现而是重在对自然的发现和表现。写生也是写实和写意的结合。印象主义画派时期被人们称为现代绘画之父”的塞尚,他大部分的作品都是面对自然的写生,但所画形象不只是客观的真实,而是带有很多主观的因素,追求自身与自然融合的意向写生。
 
“今以万物为师,以生机为运,而造物在我矣。”即艺术对象和主观创造的物我合一。展览共展出13位作者24幅写生油画作品,作品写实或写意,表现风格多样,各有异趣。
 
Oil painting is the art of visual aesthetics. Theintroduction of oil painting that reflects the spirit of European culture intoChina has a history of more than 100 years.
 
Corot, the great French master of realism painting inthe 19th century, advocates the laws of nature and advocates that natureprecedes everything. Corot has a motto “be sincere andconfident!”-Like a child, without any prejudice to observe and express thenature. Oil painting is the most effective way to understand and control color,so the relationship between sketch and color is very tight. It is a portrayalof nature. Nature itself is rich in color. Due to the difference in light,weather and time, it produces its subtle changes. Therefore, in the process ofsketching, it is necessary to constantly modify, contrast and echo therelationship of space, structure, color, light and dark, so as to achieveharmony and beauty. Although sketching is the painting that face the nature, it is not just to make nature appears butalso to focus on the discovery and expression of nature. Sketching is also acombination of realism and freehand brushwork. During the period ofImpressionism, Cezanne was known as the father of modern painting. Most of hisworks are sketches that facing the nature, but the images he painted are notonly objective and true, but also have many subjective factors. Intentionalsketching pursuit of self and nature.
 
“Now take everything as a master and vitality asfortune, and me as creator.” That is the unity of artistic objects and subjectivecreation. A total of 24 sketches of oil paintings by 13 artist are exhibited inthe exhibition. The works are realistic or freehand, with various expressionstyles and different interests.
 
作品预告 | Upcoming Works

展览预告 |《物我》写生油画联展

白晓刚《拉萨八廓街》50×55cm 布面油画 2010
Bai Xiaogang,Lhasa Barkhor Street,50×55cmOil on canvas,2010

展览预告 |《物我》写生油画联展

鲍培《彩石山》70×55cm 布面油画 2010
Bao Pei,Colorful Mountain,70×55cmOil on canvas,2010

展览预告 |《物我》写生油画联展

康蕾《西藏–珠峰》40×40cm 坦培拉 2015
Kang Lei,Tibet Everest,40×40cmTempera,2015

展览预告 |《物我》写生油画联展

李延洲《渐变初秋》80×80cm 布面油画 2011
Li Yanzhou,Gradient early autumn,80×80cmOil on canvas,2011

展览预告 |《物我》写生油画联展

潘皓《深秋》60×80cm 布面油画 2015
Pan Hao,Deep Autumn,60×80cmOil on canvas,2015

展览预告 |《物我》写生油画联展

汪鹏飞《拉卜楞36号》80×100cm 布面油画 2015
Wang Pengfei,36 Labrang,80×100cmOil on canvas,2015

展览预告 |《物我》写生油画联展

喻昌农《雨后秋色》90×110cm 布面油画 2009
Yu Changnong,Autumn after the rain,90×110cmOil on canvas,2009

展览预告 |《物我》写生油画联展

袁元《苏州,西园寺之一》直径80cm 布面油画 2017
YuanYuan,Suzhou, Xiyuan Temple No.1diameter 80cm,oil on canvas,2017

展览预告 |《物我》写生油画联展

张曙光《养马岛》70×80cm 布面油画 2010
Zhang Shuguang,Yangma Island,70×80cmOil on canvas,2010

展览预告 |《物我》写生油画联展

 
 
 
 
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