展覽預告 |《物我》寫生油畫聯展

主辦單位:藝術空間 

Organizer:Art Bridge Gallery
 
協辦單位:扶春文化藝術中心
Co-Organizer:Fu Chun Cultural And Art Center
 
開幕時間:2020年5月1日
Opening:May 1.2020
 
展覽地點:北京朝陽區酒仙橋路4號798藝術區D09-1
Address:  D09-1 No.4,798Art zone Jiuxianqiao Road,Chaoyang District,Beijing,China
 
媒體支持:藝術中國 在藝 雅昌藝術網 青桐創媒 藝厘
Media:art.china.cn / zaiart / artron.net / platan creative media / artcm
 
前 言 | Foreword
 
 —— 一辰 | Yi Chen
 
油畫,是視覺審美的藝術。將體現歐洲文化精神的油畫藝術引進中國,至今已有百餘年發展歷程。
 
法國19世紀偉大的現實主義繪畫大師柯羅,崇尚自然規律,提倡大自然先於一切,柯羅有句銘言“既誠懇,又自信!”——要像個孩子一樣,不帶任何成見地去觀察大自然,表現大自然。油畫寫生是理解和掌握色彩最有效的途徑,所以寫生與色彩的關係十分密切。寫生它是面對自然的描繪,自然本身色彩豐富,因光線、天氣、時間的不同,因而產生其微妙的變化。所以在寫生過程中,要不停的修改,達到調和、對比和呼應空間、結構、色彩、明暗等關係,從而達到和諧美。寫生雖然是要面對自然的繪畫,但它不只是為了使自然而現而是重在對自然的發現和表現。寫生也是寫實和寫意的結合。印象主義畫派時期被人們稱為現代繪畫之父”的塞尚,他大部分的作品都是面對自然的寫生,但所畫形象不只是客觀的真實,而是帶有很多主觀的因素,追求自身與自然融合的意向寫生。
 
“今以萬物為師,以生機為運,而造物在我矣。”即藝術對象和主觀創造的物我合一。展覽共展出13位作者24幅寫生油畫作品,作品寫實或寫意,表現風格多樣,各有異趣。
 
Oil painting is the art of visual aesthetics. Theintroduction of oil painting that reflects the spirit of European culture intoChina has a history of more than 100 years.
 
Corot, the great French master of realism painting inthe 19th century, advocates the laws of nature and advocates that natureprecedes everything. Corot has a motto “be sincere andconfident!”-Like a child, without any prejudice to observe and express thenature. Oil painting is the most effective way to understand and control color,so the relationship between sketch and color is very tight. It is a portrayalof nature. Nature itself is rich in color. Due to the difference in light,weather and time, it produces its subtle changes. Therefore, in the process ofsketching, it is necessary to constantly modify, contrast and echo therelationship of space, structure, color, light and dark, so as to achieveharmony and beauty. Although sketching is the painting that face the nature, it is not just to make nature appears butalso to focus on the discovery and expression of nature. Sketching is also acombination of realism and freehand brushwork. During the period ofImpressionism, Cezanne was known as the father of modern painting. Most of hisworks are sketches that facing the nature, but the images he painted are notonly objective and true, but also have many subjective factors. Intentionalsketching pursuit of self and nature.
 
“Now take everything as a master and vitality asfortune, and me as creator.” That is the unity of artistic objects and subjectivecreation. A total of 24 sketches of oil paintings by 13 artist are exhibited inthe exhibition. The works are realistic or freehand, with various expressionstyles and different interests.
 
作品預告 | Upcoming Works

展覽預告 |《物我》寫生油畫聯展

白曉剛《拉薩八廓街》50×55cm 布面油畫 2010
Bai Xiaogang,Lhasa Barkhor Street,50×55cmOil on canvas,2010

展覽預告 |《物我》寫生油畫聯展

鮑培《彩石山》70×55cm 布面油畫 2010
Bao Pei,Colorful Mountain,70×55cmOil on canvas,2010

展覽預告 |《物我》寫生油畫聯展

康蕾《西藏–珠峰》40×40cm 坦培拉 2015
Kang Lei,Tibet Everest,40×40cmTempera,2015

展覽預告 |《物我》寫生油畫聯展

李延洲《漸變初秋》80×80cm 布面油畫 2011
Li Yanzhou,Gradient early autumn,80×80cmOil on canvas,2011

展覽預告 |《物我》寫生油畫聯展

潘皓《深秋》60×80cm 布面油畫 2015
Pan Hao,Deep Autumn,60×80cmOil on canvas,2015

展覽預告 |《物我》寫生油畫聯展

汪鵬飛《拉卜楞36號》80×100cm 布面油畫 2015
Wang Pengfei,36 Labrang,80×100cmOil on canvas,2015

展覽預告 |《物我》寫生油畫聯展

喻昌農《雨後秋色》90×110cm 布面油畫 2009
Yu Changnong,Autumn after the rain,90×110cmOil on canvas,2009

展覽預告 |《物我》寫生油畫聯展

袁元《蘇州,西園寺之一》直徑80cm 布面油畫 2017
YuanYuan,Suzhou, Xiyuan Temple No.1diameter 80cm,oil on canvas,2017

展覽預告 |《物我》寫生油畫聯展

張曙光《養馬島》70×80cm 布面油畫 2010
Zhang Shuguang,Yangma Island,70×80cmOil on canvas,2010

展覽預告 |《物我》寫生油畫聯展

 
 
 
 
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