“Run” (2021), 132 x 164 x 13 centimeters. All images © Laam Yi, shared with permission
South Korean artist Ilhwa Kim describes her meditative sculptural works as analogous to living architecture, “a live plant or the tree in (an) urban or natural space.” Comprised of carefully placed components in parallel lines and dense fields, Kim’s pieces materialize through innumerable rolled paper seeds that form organic, abstract landscapes and portraits—read about the artist’s painstaking process for crafting the individual elements previously on Colossal.
In each work, Kim arranges an assortment of depths, colors, and textures: she tucks visible folds among more upright segments and installs thin, sweeping lines evocative of a single brushstroke through vast expanses of white. “When moving from painting to sculpture, I wanted to do everything I was able to use in painting; even brush strokes and all the wide color paints,” she tells Colossal. “But I’d like my works to have a far stronger life presence in the physical surroundings as a sculpture.”
Because the dimension of each seed varies, the fluctuating compositions shift in color and texture depending on the perspective of the viewer, animating the scenes with light and shadow. Kim frequently photographs her pieces on sidewalks and in public places, which she shares on Instagram, to present the lively works within similarly bustling environments, and you can see the sculptures in person this October at HOFA Gallery.
Seedsystem detail
“Spectrum 2” (2021), 119 x 93 x 13 centimeters
“The Face of Nature” (2021), 132 x 164 x 13 centimeters
“Forrest Keeper” (2021), 164 x 132 x 15 centimeters
“Choral Symphony” (2021), 192 x 224 x 13 centimeters
Detail of “Choral Symphony” (2021), 192 x 224 x 13 centimeters
“My Seed Your Town” (2021), 164 x 132 x 13 centimeters
“White Portrait” (2022), 119 x 93 x 12 centimeters
Seedsystem detail